Theres a whole ritual to it, notes Michael Siegel, a professor at the Boston University School of Public Health
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FOR ME AND MY GAL, Judy Garland, Gene Kelly, 1942 SUMMER STOCK, Gene Kelly, Judy Garland, Phil Silvers, 1950 SUMMER STOCK, Gene Kelly, Phil Silvers, Carlton Carpenter, 1950 ON THE TOWN, from left: Jules Munshin, Frank Sinatra, Gene Kelly, 1949 DU BARRY WAS A LADY, Red Skelton, Virginia O'Brien, Gene Kelly, 1943 SUMMER STOCK, Judy Garland, Gene Kelly, 1950 TAKE ME OUT TO THE BALL GAME, Frank Sinatra, Gene Kelly, 1949 CREST OF THE WAVE, (aka SEAGULLS OVER SORRENTO), Gene Kelly visited by Pier Angeli on set, 1954 SUMMER STOCK, Phil Silvers, Gene Kelly, 1950 ANCHORS AWEIGH, from left: Kathryn Grayson, Gene Kelly, 1945 SUMMER STOCK, Gene Kelly, 1950 INVITATION TO THE DANCE, Gene Kelly, 1956 ON THE TOWN, Frank Sinatra, Ann Miller, Betty Garrett, Gene Kelly, Vera Ellen, Jules Munshin, 1949, bench LIVING IN A BIG WAY, center with cap: Gene Kelly, 1947 THE DEVIL MAKES THREE, Richard Egan, Gene Kelly, 1952 FOR ME AND MY GAL, Judy Garland, Gene Kelly, 1942 TAKE ME OUT TO THE BALL GAME, Betty Garrett, Gene Kelly, Esther Williams, Frank Sinatra, 1949 THE PIRATE, Gene Kelly, 1948 LIVING IN A BIG WAY, center leading children: Gene Kelly (wearing cap), 1947 AN AMERICAN IN PARIS, Gene Kelly, Georges Guetary, Oscar Levant, 1951 SINGIN' IN THE RAIN, Gene Kelly, Debbie Reynolds, 1952 BLACK HAND, Gene Kelly, J
This unique consistency and texture is achieved through a low and slow step in the purification process, wherein crumble stays in a vacuum oven at low temperatures for a long time
